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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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소장정보 검색

국회도서관 홈으로 정보검색 소장정보 검색

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Title page 1

Contents 4

Acknowledgments 5

1. Introduction 6

How to read this guide 6

2. Rights Clearance: from idea to distribution 7

Understanding rights clearance 7

Is clearance only a legal matter? 9

Who is responsible for IP clearance? 9

What is a clearance report? 9

Do limitations and exceptions allow the content to be used without requesting permission? 11

When to start clearing the rights 11

How to keep track of rights clearance in the script 13

Rights clearance and financing models 14

Clearance policies 15

Risk in the audiovisual project and rights clearance 16

3. Rights assessed during clearance 19

Copyright 20

What rights do you need? 20

How are licenses negotiated? 21

What are the different types of use? 22

How to start negotiations 22

What is a cue sheet and why is it important? 22

Scenery (including visual art, statues, photographs, posters, etc.) 25

Online image banks 25

Newspapers, magazines and other publications 26

Overview of materials protected by copyright 27

Trademarks and designs 29

Organizations and official symbols 31

Personality rights 31

Works of fiction 32

Works based on real events 32

Projects involving minors 34

Other aspects of rights clearance 35

Artificial intelligence 36

Annex I. Music clearance report 39

Annex II. Checklist 40

Figures 8

Figure 1. Rights clearance for an audiovisual project 8

Figure 2. Process of licensing from the clearance report 10

Figure 3. Clearance through the concept to production phases 13

Figure 4. Levels of risk 17

Figure 5. Steps to minimize risk 19

Figure 6. Recorded music rights 20

Figure 7. Overview of license negotiations 21

Figure 8. Assessing limitations and exceptions 29

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