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The dominant historical conceptions of space during the modernism period were shaped by dichotomous ideological mechanisms, such as the gendered division of Public vs. Private, Center vs. Marginal, Urban vs. Suburban, and Quality vs. Popular culture. The conventional mode of understanding modern space has been thus the ideology of separation and contradictions. Moreover, through the process of accelerated globalization, the idea of modernity became a homogeneous concept and brought about the abstractions of time, space, and social relationships, all of which changed the perceptual meanings of urban and domestic spaces in Europe. However, an understanding of modern spaces in such dichotomous terms may overlook the more complex nature of cultural modernism, the meanings of which are generated by a wide variety of agents and concrete elements in the day-to-day life of modern subjects. Following the theoretical leads of Michel de Certeau, Rita Felski, and Ben Highmore, etc., this paper argues that contemporary avant-gardists such as Gertrude Stein redefined the conventional notion of modernism by emphasizing the interconnected relationship between art and domestic and varying the contents of what is traditionally understood to be “modern.” Through a close-reading of several plays in Stein’s Geography and Plays (1922), this paper examines how Stein intersects gender, sexuality, and spaces to explore the different meanings of the domestic spaces experienced by her queer subjects. I also argue that the concept of modernism and its geographical discourse can be recreated through the struggles of socially marginalized characters and their repetitive negotiations with their surroundings.

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Is "modern" enough? : rethinking drama after the holocaust [Book Review] Eunha Na p. 847-852

T.S. 엘리엇의 『네 사중주』 읽기 : Reading Eliot's Four Quartets : looking at the gap between Kairos and Chronos / "크로노스"와 "카이로스" 사이의 간극 실사하기 이철희 p. 789-806

20세기 미국 연극에 나타난 장애로서의 우울증 읽기 : Reading depression as a disability in 20th century American plays : focused on 'night, Mother and Death of a Salesman / 『잘 자요, 엄마』와 『세일즈맨의 죽음』을 중심으로 정윤길 p. 765-787

넬라 라슨의 『유사』에 나타난 소비하는 여성과 미적 주체 = The consumer as an aesthetic subject in Nella Larsen's Quicksand 정지원 p. 745-763

밀턴의 '교육하는' 신 : Milton's god of education : understanding providence, free will, and education in Paradise Lost / 『실낙원』에서 섭리, 자유의지, 교육의 상관관계 읽기 한예림 p. 721-743

그레고리 베이트슨의 이중구속의 선물(Gift)과 메타커뮤니케이션의 논리 = Gregory Bateson's gift of double bind and the logic of meta-communication 정재식 p. 697-719

트라우마, 감정, 주체 : Trauma, emotion, and the subject : exploring shifts between psychoanalysis and neuroscience / 정신분석과 신경과학 사이 양석원 p. 675-695

(Un)becoming English : performing nationality and motherhood in Daniel Defoe's The Fortunate Mistress, or Roxana Jane Lim p. 653-673

Houses in motion and queer voyagers in the ordinary : spatial ideology of modernism and Gertrude Stein's domestic space Tae Yun Lim p. 631-652

Fictional historicity : Gawain, an evasive knight in Sir Gawain and the Green Knight and a manipulating knight in Ishiguro's The Buried Giant Seogkwang Lee p. 605-629

A.I. and the destruction of thought : how might George Orwell and Bernard Stiegler speak to each other? Joff P.N. Bradley p. 585-603

수능 영어 절대평가 도입 전후의 대학영어교육 변화 추세에 대한 연구 = Investigating changing trends in college English education before and after the introduction of the Jeoldaepyeongga system to the KCSAT English section 이용원, 정한별, 양영유, 이종우, 배현 p. 807-846

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