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Introduction: Sensing Justice

1 Framing Aesthetics: Witnessing Francoism in Pan's Labyrinth
An Aesthetic Approach to Human Rights Cinema
Viewers as Witnesses
Vidal: Franco's "Politics of Revenge"
Mercedes: The "Heroic Memory" of the Resistance
Ofelia: The Two Worlds and Vigilant Imagination
Conclusion: The Return

2 Campy Performances: Queering Law in High Heels
Postmodern Re-Imaginings
The Persecution of the LGBTQ People under Franco
The Significance of Performance for the Viewer
Law as Mother: Ethics and Justice of Care
Law as Performance: Ethics and Justice of Alterity
Judging Law, Performing Justice
Cinematic Judgment: Ethics of Response
Truth and Justice
Camp Aesthetics: Law as Queer Performance

3 Dissensus in the Community: Disrupting Neoliberal Affects in La Comunidad
Spain and the Neoliberal "Politics of Consensus"
The Regime of the All-Visible
Julia and the Consumer Society
The Community of Neighbors and the Politics of Consensus
Charlie's Dissensus
Charlie and Julia: A New Community?

4 The Sound of Protest: Acousmatic Resistance in ElMetodo
Beyond Panopticism: The Gronholm Method
The Split Screen: Framing the Space of the Visible
The Acousmatic Sound of Protest
Framing the Crowd: Media Coverage of the Protest
Un-framing the Crowd: The Subversive Powers of the Acousmatic Sound of Protest
Conclusion

5 Surveilling Terror: Post-Western Topographies in No Restfor the Wicked
Infinite Justice and the Ethical Turn
The Media and the Securitization of Space: Fear and Terror
Trinidad and the Politics of the Post-Western
Judge Chacon and the Topography of the Possible

6 Policing the City: Haptic Visuality in Grupo 7
Mapping the City: The Production of Space
Policing the City
The Right to the City
The Construction of Urban Space as Resistance
Conclusion: Law and Space

Conclusion

Bibliography
Index

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Sensing justice through contemporary Spanish cinema : aesthetics, politics, law 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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Explores the aesthetic frames that mediate the sense(s) and experiences of justice

  • Close analysis of films such as Pan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7
  • Engages with legal theory, film studies, aesthetics, and politics
  • Approaches law and film as multisensory, embodied practices
  • Draws on European case studies in a field largely dominated by Anglo-American discourse

Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain. What senses do these frames privilege or downgrade? What kind of subjects do they show, construct, and address? What kind of affective and ethical responses do they invite? What kind of judgments do they invite? The book addresses these questions by moving away from the focus on narrative and through a close analysis of selected contemporary Spanish films--such as Pan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7. By creating new frames of perception and signification, the films analyzed challenge the senses of law and justice traditionally taken for granted and reconfigure them anew. Engaging with legal theory, film studies, aesthetics, and politics, Sensing Justice provides a compelling illustration of how law and justice are multisensory and embodied experiences.

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