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이용현황보기

Music borrowing and copyright law : a genre-by-genre analysis 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
등록번호 청구기호 권별정보 자료실 이용여부
0003142162 LM 346.0482 -A24-4 서울관 법률정보센터(206호) 북큐레이션
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This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices.

Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, jazz, blues, hip-hop, electronic and dance, punk-rock and hardcore, choral and classical music, as well as a diversity of region-specific genres, such as flamenco, tango, Irish, Hungarian, Greek, Israeli, Arabic, Jamaican, Cuban, Maori, Australian aboriginal, African, Chinese, Indian, Sri Lankan, Vietnamese, Japanese, and Canadian music.

This genre-specific analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, copyright's struggle with musical genres, and the typology of music borrowing practice under different generic conventions. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is precisely the result of collective bargaining processes among many "musicking" parties that have socially constructed creative music authorship under a rich mix of generic conventions.

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권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
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